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Ron Howard directs this documentary which follows The Beatles
during their touring years from 1962-1966. After quickly conquering
the British music scene in the early 1960s, the band went on to
play in front of sell-out stadium audiences all around the world.
Featuring live performance footage and archive interviews, the film
also includes insight from band members Paul McCartney and Ringo
Starr as they recount their experiences and memories from the time.
"Marxist Shakespeares" uses the rich analytic resources of the
Marxist tradition to look at Shakespeare's plays afresh. The essays
collected here reveal the continuing power of Marxist thought to
address many issues including:
* the relationship of texts to social class
* the historical construction of the aesthetic
* the utopian dimensions of literary production.
This book offers new insights into the historical conditions
within which Shakespeare's representations of class and gender
emerged, and into Shakespeare's role in the global culture industry
stretching from Hollywood to the Globe Theatre.
"Marxist Shakespeares" will be a vital resource for students of
Shakespeare as it examines Marx's own readings of Shakespeare,
Derrida's engagement with Marx, and the importance of Bourdieu,
Bataille, Negri, and Alice Clark with a continuing tradition of
Marxist thought.
Marxist Shakespeares uses the rich analytic resources of the Marxist tradition to look at Shakespeare's plays afresh. The book offers new insights into the historical conditions within which Shakespeare's representations of class and gender emerged, and into Shakespeare's role in the global culture industry stretching from Hollywood to the Globe Theatre. A vital resource for students of Shakespeare which includes Marx's own readings of Shakespeare, Derrida on Marx, and also Bourdieu, Bataillle, Negri and Alice Clark.
While Adolf Hitler was seizing power in Germany, Adrien Arcand was
laying the foundations in Quebec for his Parti national social
chretien. The Blue Shirts, as its members were called, wore a
military uniform and prominently displayed the swastika. Arcand saw
Jewish conspiracy wherever he turned and his views resonated with
his followers who, like him, sought a scapegoat for all the ills
eroding society. Even after his imprisonment during the Second
World War, the fanatical Adrien Arcand continued his correspondence
with those on the frontlines of anti-semitism. Until his death in
1967, he pursued his campaign of propaganda against communists and
Jews. Hugues Theoret describes a dark period in Quebec's
ideological history using an objective approach and careful,
rigorous research in this book, which won the 2015 Canada Prize
(Federation for the Humanities and Social Sciences).
On December 6, 1989, a man walked into the engineering school Ecole
Polytechnique de Montreal, armed with a semi-automatic rifle and,
declaring "I hate feminists," killed fourteen young women. "I Hate
Feminists!", originally published in French in 2009, examines the
collective memory that emerged in the immediate aftermath and years
following the massacre as Canadians struggled to make sense of this
tragic event and understand the motivations of the killer.
Exploring stories and editorials in Montreal and Toronto
newspapers, texts distributed within anti-feminist "masculinist"
networks, discourses about memorials in major Canadian cities and
the film Polytechnique, which was released on the twentieth
anniversary of the massacre, Melissa Blais argues that feminist
analyses and the killer's own statements have been set aside in
favour of interpretations that absolve the killer of responsibility
or even shift that blame onto women and feminists. In the end,
Blais contends, the collective memory that has been constructed
through various media has functioned not as a testament to violence
against women but as a catalyst for anti-feminist discourse.
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